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Distributed for Intellect Ltd

Watch this Space

Exploring Cinematic Intersections Between the Body, Architecture and the City

Distributed for Intellect Ltd

Watch this Space

Exploring Cinematic Intersections Between the Body, Architecture and the City

A collection that explores evolving interdisciplinary rhetoric across spatial design disciplines.

Watch this Space examines key emerging and evolving practices, theories, and methodologies that operate in the blurred boundary between spatial design disciplines and moving image studies more broadly. The collection is premised on the argument that the understanding of “space” in these areas continues to expand, reaching the point in which it blurs with multiple other disciplines including media art, cultural studies, art practice, and more. The result of this evolving interdisciplinary understating of space in design disciplines and moving image studies is an expanded field of haptic-visual practice and theory that can be investigated as both a material and an image-based construct.

The work engages with an evolving set of ideas, underlining how each of its primary discipline areas now increasingly incorporates tools and methodologies from each other’s fields. For example, architects routinely engage with cinematic practice as a means of exploring space; cultural theorists inspect filmic space as a two-dimensional surrogate of the real; media artists incorporate knowledge of spatial design in video installations; and filmmakers create spaces on screen that are informed by architectural theory. This all follows what can be defined as a discursive turn in our view of spatial relationships across disciplines which, by definition, is complex, eclectic, occasionally contradictory, and at times characterized by surprising confluences.
 
The varied essays collected here explore the diversity of how we today define, understand, and engage with notions of the body in architectural–urban space. It does so through a triadic structure that progresses from haptic relationships of the body in architectural space, through film readings of represented space in mainstream cinema, to experimental spatial projects inspired by film and the moving image. This tripartite structure specifically encourages a look across disciplines, broadening architectural, urbanist, media, and cinematic concerns through insightful case studies.
 

250 pages | 6.69 x 9.61 | © 2024

Mediated Cities

Architecture: History of Architecture

Art: Art--General Studies

Film Studies


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Table of Contents

Introduction: Of Stories and Settings – A Familiar Exchange
Maciej Stasiowski

1. Architecture and Complexity, New Heterogeneous Spaces and Old "New Media”
Irena Latek
2. The Spatial Imagery of Fractal Narratives in Marwan Hamed’s The Yacoubian Building
Taher Abdel-Ghani
3. Tracing Body and Space in Eisenstein’s Early Silent Films
Niek Turner
4. Body Talk: Between Architecture and Analogy in Michelangelo Antonioni’s The Passenger (1975)
J. English Cook
5. Are We Still Connected? Contemporary Chinese Minority Centred Films and the Depiction of Interdependent Relations Between Dwellers, Settlements, and Living Circumstances
Sicheng Liu
6. Screened and Reconstructed Urban Memory: Remembering and Forgetting Istanbul in Sahsiyet [Persona] Web TV Series
Ömer Can Bakan and Ahenk Yilmaz
7. Illuminating Spaces: Cinematic Travels and Emotional Inhabitation of Tokyo in Café Lumière
Simone Shu-Yeng Chung
8. Broadcasting the Visage of Urban Warfare: A case study of NaJa & deOstos’ The Hanging Cemetery of Baghdad
Maciej Stasiowski
9. Mediatic Umbraculum: Architecture, Cinema, and Multimedia Systems
Eusebio Alonso-García, Sara Pérez-Barreiro, Iván Rincón-Borrego, Daniel Villalobos-Alonso, and José María Jové-Sandoval
10. Gordon Cullen’s Serial Vision: A Cinematic Urban Theory
Marco Spada and Carla Molinari
11. Architectural Research and Design in Hong Kong Through the Creative Use of Film
Esther Lorenz

Notes on Contributors
Index

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