This volume showcases some of the best research published in the Studies in Comics journal.
Comics have always embraced a diversity of formats, existing in complex relationships with other media, and been dynamic in their response to new technologies and means of distribution. This collection explores interactions between comics and other media and technologies, employing a wide range of theoretical and critical perspectives.
By focusing on key critical concepts within multimodality (transmediality, adaptation, intertextuality) and addressing multiple platforms and media (digital, analog, music, prose, linguistics, graphics), this collection expands and develops existing comics theory and addresses multiple other media and disciplines. This volume demonstrates the evolution of comics studies over the last decade and shows how this research field has engaged with various media and technologies in a continuously evolving, multimodal artistic and production environment.
Comics have always embraced a diversity of formats, existing in complex relationships with other media, and been dynamic in their response to new technologies and means of distribution. This collection explores interactions between comics and other media and technologies, employing a wide range of theoretical and critical perspectives.
By focusing on key critical concepts within multimodality (transmediality, adaptation, intertextuality) and addressing multiple platforms and media (digital, analog, music, prose, linguistics, graphics), this collection expands and develops existing comics theory and addresses multiple other media and disciplines. This volume demonstrates the evolution of comics studies over the last decade and shows how this research field has engaged with various media and technologies in a continuously evolving, multimodal artistic and production environment.
Table of Contents
Foreword
Roger Sabin
Introduction
Madeline B. Gangnes, Christopher Murray and Julia Round
Section One: Multiplicity and (Inter)Textuality
The Shape of Comic Book Reading
David Lewis
Re-inventing the Origins of the Boy Who Wouldn’t Grow Up: Regis Loisel’s Peter Pan
Armelle Blin-Rolland
The Myth of Eco: Cultural Populism and Comics Studies
Marc Singer
Intertwining Verbal and Visual Elements in Printed Narratives for Adults
Pascal Lefèvre
Section Two: Metacomics and the Digital
Spiegelman’s Magic Box: MetaMaus and the Archive of Representation
Elisabeth Friedman
Meaning from Movement: Blurring the Temporal Border between Animation and Comics
Joshua Gowdy
Section Three: Linguistics and Language
Narrative, Language, and Comics-as-Literature
Hannah Miodrag
The Cognitive Grammar of I
Christian W. Schneider
Section Four: Sound and Vision
Sound Affects: Visualizing Music, Musicians, and (Sub)cultural Identity in BECK and Scott Pilgrim
Camilo Diaz Pino
The Musicalization of Graphic Narratives and P. Craig Russell’s Graphic Novel Operas, The Magic Flute and Salome
Victoria Addis
Section Five: From Material to Transtextual and Beyond
Animating the Narrative in Abstract Comics
Paul Fisher Davies
Multimodal Duck-Rabbitry: Multistable Perception and the Narrative Potential of Fold-Ins
Thomas Hamlyn-Harris and Ross Watkins
Resisting Narrative Immersion
Greice Schneider
Square Eyes: Augmenting Bodies, Boredom, and Things
Merlin Seller
Afterword
Madeline B. Gangnes, Christopher Murray, and Julia Round
Roger Sabin
Introduction
Madeline B. Gangnes, Christopher Murray and Julia Round
Section One: Multiplicity and (Inter)Textuality
The Shape of Comic Book Reading
David Lewis
Re-inventing the Origins of the Boy Who Wouldn’t Grow Up: Regis Loisel’s Peter Pan
Armelle Blin-Rolland
The Myth of Eco: Cultural Populism and Comics Studies
Marc Singer
Intertwining Verbal and Visual Elements in Printed Narratives for Adults
Pascal Lefèvre
Section Two: Metacomics and the Digital
Spiegelman’s Magic Box: MetaMaus and the Archive of Representation
Elisabeth Friedman
Meaning from Movement: Blurring the Temporal Border between Animation and Comics
Joshua Gowdy
Section Three: Linguistics and Language
Narrative, Language, and Comics-as-Literature
Hannah Miodrag
The Cognitive Grammar of I
Christian W. Schneider
Section Four: Sound and Vision
Sound Affects: Visualizing Music, Musicians, and (Sub)cultural Identity in BECK and Scott Pilgrim
Camilo Diaz Pino
The Musicalization of Graphic Narratives and P. Craig Russell’s Graphic Novel Operas, The Magic Flute and Salome
Victoria Addis
Section Five: From Material to Transtextual and Beyond
Animating the Narrative in Abstract Comics
Paul Fisher Davies
Multimodal Duck-Rabbitry: Multistable Perception and the Narrative Potential of Fold-Ins
Thomas Hamlyn-Harris and Ross Watkins
Resisting Narrative Immersion
Greice Schneider
Square Eyes: Augmenting Bodies, Boredom, and Things
Merlin Seller
Afterword
Madeline B. Gangnes, Christopher Murray, and Julia Round