"Bob Gluck gives Pat Metheny fans—and that includes this reader—a series of listening guides that deepens our appreciation of Metheny’s music. Outlining the innovative approaches Metheny utilizes to produce the music we cherish, Gluck compels us to re-listen to the music we thought we already knew with newly expanded ears. Gluck’s remarkable book traces Metheny’s musical ideas that have shaped his music, enabling us to enjoy the guitarist’s myriad accomplishments in a deeply connective, heartfelt way. This book is for more than just Metheny’s many fans, however—it is for anyone who wants to think about and, perhaps more importantly, feel music more deeply, more intensely, and more profoundly."

Kevin A. Fellezs, author of 'Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion'

"Pat Metheny performances have quickened the soul of the academic, the layman and the musician for many years. He has been so much a part of the furniture for so long, one needs a book like this as a reminder of his considerable contribution to American cultural life. Written in a breezy, inclusive style, this book should be on the shelf of anyone who enjoys Pat’s music and would like to know why; anyone who wants to know more about his process and methodologies; and anyone who simply wants to know how to listen more closely."

Bill Bruford, drummer

“One of the first recordings [by Pat] that got my attention was Bright Size Life, and I was impressed by his compositions and his improvising. It’s still one of my favorite recordings of his. It was my pleasure to put together a band with my all time favorites Herbie Hancock and Dave Holland, Pat and I discussed it and he agreed to coproduce and be part of it. We also toured. Parallel Realities turned out to be an important historical recording that people still talk about. He’s a visionary innovator who is constantly challenging himself in the most creative ways… that’s what a great artist is supposed to do. Thank you Pat!"

Jack DeJohnette, drummer

“We were all blown away when we first heard Pat play. His touch is so sweet and so lyrical. I love that vocal sound. I like to try to get that in myself as much as I can. Even at a really young age, you could already hear these qualities and his incredible vocabulary. His ability to hold onto his sensitivity and perfectionism all these years is a serious strength. As a guitar teacher, Pat was really supportive to me and to a lot of other players. It would be natural to write a book about someone quite as accomplished as Pat. I really dig his music, that’s for damn sure.” 

Mike Stern, jazz guitarist