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Amphion

Lyre, Poetry, and Politics in Modernity

Amphion

Lyre, Poetry, and Politics in Modernity

A reintroduction to the myth of Amphion, recovering an overlooked sphere of lyric tradition.

Amphion is the figure in Greek mythology who played so skillfully on a lyre that stones moved of their own accord to build walls for Thebes. While Amphion still presides over music and architecture, he was once fundamental to the concept of lyric poetry. Amphion figured the human power to inspire action, creating and undoing polities by means of language. In contrast to the individual inspiration we associate with the better-known Orpheus, Amphion represents the relentless, often violent, play of order and disorder in human social life. His lyre was a powerful metaphor in the age of European imperial expansion.

In this wide-ranging study, Leah Middlebrook introduces readers to Amphion-inspired poetics and lyrics and traces the tradition of the Amphionic from the Renaissance through modernist and postmodern poetry and translation from the Hispanic, Anglophone, French, Italian, and ancient Roman worlds. Amphion makes a significant contribution to scholarship on the connection between poetry and politics and the history of the lyric, offering an account well-suited to our times.

208 pages | 6 halftones | 6 x 9

Thinking Literature

Literature and Literary Criticism: General Criticism and Critical Theory

Table of Contents

List of Figures
A Note on Orthography and Translations
Preface: The Myth

Introduction: Clarinda’s Stones
Chapter 1 The Lyre and the World
Chapter 2  Mercurial Translatio: Amphionic Lyric Poetics from Du Bellay to Trevor Joyce
Chapter 3 How to Do Things with Copia
Chapter 4 Amphion in the Americas
Coda: Amphion Dancing

Acknowledgments
Notes
Bibliography
Index

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